Visualizing Music

"All of a sudden it hit me -- if there was such a thing as composing music, there could be such a thing as composing motion. After all, there are melodic figures. Why can't there be figures of motion?"
--Len Lye

I've always been interested in animated interpretations of music, and partly for my own sake I wanted to put some of my favorites here. Although I don't have much exposure to this area of film, the earliest examples of animated music I've seen have been the experimental films of Len Lye and Oskar Fischinger.

Len Lye's A Colour Box (1935)

Len Lye made "direct film" -- film made without a camera -- by scratching and painting individual frames of celluoid. I can only imagine how grueling this process must have been, but the results speak for themselves.

Oskar Fischinger's Studie #8 (1932)

Like Len Lye, Oskar Fischinger's films were totally abstract visualizations of sound, albeit much more stripped down and traditionally produced. He designed the "Toccata and Fugue in d" sequence for Fantasia but quit after Disney's animators made his designs too representational.

György Ligeti's Artikulation (1958/1970)

Sometimes animation can help us interpret music that would otherwise be almost totally inaccessible. This "visual listening score" for an early electronic composition by Ligeti is a good example of using discretization for musical analysis. Animating the score and allowing the audience to anticipate the seemingly random tones somehow grounds the whole experience and makes it almost participatory.

Autechre's Gantz Graf (2002)

Aphex Twin/Chris Cunningham's Monkey Drummer (2001)

Dense electronic music lends itself well to visualisation for the same reason that the Ligeti animation works so well. When music as incredibly complicated as Gantz Graf is set to perfectly synched animation, the editing and artistry in both the music and the visuals really shine through.

John Coltrane's Giant Steps (1959/2001)

For someone as jazz-illiterate as I am, this encompasses the imagination and vitality of a piece like "Giant Steps" and packages it in such an immediate, engaging way that I start to understand how much of a genuis John Coltrane was. That's a pretty huge achievement for an animated short. (High quality version here)

Larry Cuba's Calculated Movements (1985)

Sometimes animation and music work togeter just to create a mood, and I wanted to end this post with one of my favorite examples of that. Coincidentally, Larry Cuba did the very early computer animation that was used in the first Star Wars movie. He's done some other beautiful films too.

Chocolate Chip Cookies, and a really good margarita

I already posted the recipe for my "favorite" cookies but that was sort of a lie. My go-to recipe for blended oatmeal chocolate chip cookies is below. I've made these so many times that they're down to a science and recently I started experimenting with the chocolate. I figured, rightly, that chocolate that is good straight up would also make good chocolate chip cookies. To this end I got my favorite eating chocolate (Green & Black's Maya Gold) along with a couple bars of high cocoa content Ghirardelli and followed protocol:

Chocolate Chip Cookies

• 1 cup butter, softened


• 1 cup sugar


• 1 cup brown sugar


• 2 eggs


• 1 tsp. vanilla extract


• 2 ½ cups blended oatmeal


• 2 cups flour


• ½ tsp. kosher salt


• 1 tsp. baking soda


• 1 tsp. baking powder


• 12 oz dark chocolate

Preheat oven to 375, or in my case 380, since my oven lies and my thermometer tells me so.

Cream together butter and sugars at high speed until fluffy. Set mixer to low and add eggs and vanilla.

Put about 2 cups of rolled oats in a blender and chop until fine, repeating with another ~2 cups until you have 2 ½ total cups of blended oats. Whisk dry ingredients together or combine in food processor.

Add dry ingredients until just combined. Make sure to incorporate the dough well since a lot of the dry material will fall through to the bottom. Mix in the chocolate and spoon out onto a jelly roll pan. Bake for 10-12 min and move to a cooling rack.

Equipment is usually a convenience, not a necessity, but whenever I make cookies I always use my aluminum jelly roll pan. It never needs to be greased and always does the job. This recipe makes a lot of cookies... 3 dozen maybe?

And the picture below is the beginning of a really good margarita.

Lemon Macadamia Cupcakes

I made a small, obligatory step towards finishing the cookbook last week: lemon macadamia. After adding a handful of white chocolate chunks, they turned out great. The clean taste of the lemons shone through and the creamy macadamias/white chocolate pairing gave them a really rich base. I took them to a rainy kickball/beer get together and luckily got my hands on one before they were all gone.

I also made some incredible blueberry mascarpone crepes a few weeks ago. Seriously, if you ever want to make some sweet crepes, these will knock you on your ass, but be warned -- there's enough dairy fat in these to drop a mule. Thanks Emeril!

Bam!

Music from 2008

Neon Neon -- Stainless Style

Neon Neon is the latest side project by Gruff Rhys (Super Furry Animals) and LA producer Boom Bip -- an homage to the life and times of John DeLorean. Hilarious subject matter, shiny 80's-rivivalist production, Gruff's crooning -- even though it's disposable, there are a couple of really catchy songs. By far my favorite is "Dream Girls," which is ostensibly about DeLorean growing up in Detroit.

Autechre -- Quaristice

If you don't already like Autechre you probably won't be overly excited about their new album, but I love it. It's similar to some of their earlier music in that it's more accessible than their later stuff, but the diversity and looseness is definitely informed by some of their more impenetrable albums from this decade. As hard as it is to make not-insipid guitar music, imagine how hard it must be to make electronic music as emotional as "Simmm".

Listen to "Simmm" by Autechre

Portishead -- Third

The most exciting new music I've heard in ages -- probably since the last Broadcast album, or Panda Bear -- is Portishead's amazing third album, coming out in April. It's so coherent, well-written, and unapologetically, intensely dark, without ever approaching morose self-indulgence, that it's easily my favorite of their albums. Any band confident enough to release a song like "Machine Gun" as a single is doing something right.

Listen to "We Carry On" and "Machine Gun" by Portishead

And not to belabor the point, but it's still hard to believe how much I love Talk Talk's The Colour of Spring.

Talk Talk -- Give It Up